Instant Composition: choreographic training of the dance artist and his corporeality
Instant Composition: choreographic training of the dance artist and his corporeality
The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both...
| Título traducido: | Instant Composition: choreographic training of the dance artist and his corporeality La Composition Instantanée: formation chorégraphique du danseur et son corps-realité |
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| Título de la revista: | Revista Brasileira de Estudos da Presença |
| Autor: | Santos (Universidade de Lisboa – Lisbon |
| Palabras clave: | |
| Palabras clave traducidas: | |
| Idioma: | Inglés |
| Enlace del documento: | https://seer.ufrgs.br/presenca/article/view/74862 |
| Tipo de recurso: | Documento de revista |
| Fuente: | Revista Brasileira de Estudos da Presença; Vol 8, No 1 (Año 2018). |
| Entidad editora: | Universidade Federal do Rio Grande do Sul |
| Derechos de uso: | Reconocimiento (by) |
| Materias: | Ciencias Sociales y Humanidades --> Arte Ciencias Sociales y Humanidades --> Danza Ciencias Sociales y Humanidades --> Filosofía |
| Resumen: | The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns. |
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| Resumen traducido: | The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence – are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns. L’article se propose à discuter la formation et la préparation du corps-réel de l’artiste de la danse, en partant des pratiques corporelles liées au travail de composition instantanée, selon la conception du chorégraphe Julyen Hamilton. Pour ce faire, nous avons accomplis une étude de la pratique artistique. De l’analyse des données sont issues quelques catégories telles quelles: qualité de mouvement, arènes de réflexion et presence. Cette étude propose des manières pour travailler le corps et la formation chorégraphique ayant pour but la construction d’un corps autonome, de façon que les exercises deviennent des performances qui se dérobent des règlements de normalité. |
